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''Glittering Images: A Journey Through Art from Egypt to Star Wars'' is a 2012 book by American academic and cultural critic Camille Paglia. She discusses notable works of applied and visual art from ancient to modern times in the book, and she writes that she intended it to be a personalized "journey" through art history, focusing on Western works. Paglia also states that she felt inspired to write given that she worries 21st century Americans are overexposed to visual stimulation by the "all-pervasive mass media" and must fight to keep their capacity for contemplation.〔 The book feature twenty-nine sections, with glossy full-color illustrations, each focused on a specific piece.〔 Artists detailed include Titian, Manet, Picasso, and Jackson Pollock among others. After its October 16, 2012 release, the book received positive reviews from publications such as ''The Philadelphia Inquirer'' and ''The Wall Street Journal'',〔 while it also picked up more critical, negative reviews from publications such as ''The New York Times Book Review''.〔 ==Background and book contents== Camille Paglia has notably written pieces of cultural criticism and spoken about the subject on many television interviews for years. She's also known for having taught for over two decades at the University of the Arts in Philadelphia.〔 Her first book, ''Sexual Personae'', came out in 1990, and it described her controversial viewpoint that Western culture has been largely driven by sexual psychology and repressed desires about the society's rougher, pagan past.〔 While touching on those themes, ''Glittering Images'', in contrast, focuses on modern cultural ignorance.〔 Paglia wrote what she intended as a personalized "journey" through art history since she believes people today have become visually overexposed by the mass-media and disconnected from the past.〔 In it, she argues, "the eye is assaulted, coerced, desensitized."〔 The book discusses twenty-nine examples of visual artwork. Paglia begins by describing the ancient Egyptian funerary images of Queen Nefertari,〔 a royal whose name means "the most beautiful of them all". Paglia refers to how the civilization "dreamed of conquering the terrors of death", and she notes how "Egyptian painted figures float in an abstract space that is neither here nor there", describing the visual power of this "eternal present" depicted.〔''Glittering Images'', pp.3-5〕 She then turns to the Cycladic statuettes carved by Bronze Age residents of several Aegean Sea islands, which feature "coolly geometric" designs unlike that of the voluptuous figures carved by earlier, Stone Age people (such as the 'Venus of Willendorf') while still displaying vulvae markings and prominent breasts that convey femininity. These pieces of Cycladic art are cited as "daring explorations of form and structure" foreshadowing the future.〔''Glittering Images'', pp.11-13〕 The author then describes the 'Charioteer of Delphi', a work from the fifth century BC that she writes embodies well the ancient Greek ideals of "young male beauty" and the building of character through personal striving. She states how she finds the chariot racing athlete "grave and dignified" with his meditative expression, giving a "look that would become canonical for gods and heroes in the classic tradition".〔''Glittering Images'', pp.15-18〕 She goes on to write about the 'Porch of the Maidens' in the Erechtheion in Athens, Greece, with columns carved into feminine shapes that she labels as "a remarkable display of female power" as "muscular strength" co-exists with womanly curves,〔''Glittering Images'', pp.21〕 and then the piece 'Laocoön and His Sons', a violent scene carved in marble in which sea serpents attempt to slay a man and his three sons that stridently addresses the problem of theodicy.〔''Glittering Images'', pp.27〕 The book goes on next to the famous mosaic of Saint John Chrysostom in the Hagia Sophia, a piece that Paglia writes as having an "implacable intensity of gaze" making it a great piece of Byzantine art,〔''Glittering Images'', pp.36-37〕 and additionally to the late eighth century Ireland's Book of Kells, an "intricately decorated manuscript of the Gospels that is one of the most beautiful objects surviving from medieval Europe."〔''Glittering Images'', pp.39〕 The eight piece included is Donatello's 'Mary Magdalene', a work of the Italian Renaissance created in 1453 that showed the artist's ability to be "harsh and imposing".〔''Glittering Images'', pp.43〕 Paglia then discusses Titian's 'Venus with a Mirror'; she writes about the artistic changes it symbolizes as the strong brushwork and liberal use of paint allow for warm flesh tones, Titian creating "opulent nudes that thrust sexual display and fantasy" onto the viewer.〔''Glittering Images'', pp.49〕 Paglia next discusses Bronzino's 'Portrait of Andrea Doria as Neptune', writing that as a work of the Mannerism movement it shows a "polished theatricality" arresting to the viewer,〔''Glittering Images'', pp.53〕 and Gian Lorenzo Bernini's 'Chair of Saint Peter' in the Vatican City, a 17th-century work showing how Baroque art often "overwhelms the senses with flamboyant grandeur".〔''Glittering Images'', pp.59〕 She takes a nuanced view of the lasting influence of pop art, writing that, generally, the artistic movement "projects an innocent child’s view of the world."〔 She also argues that works by artists such as Andy Warhol, whom she praises, conveyed powerful subtleties with their pieces. The book details 'Marilyn Diptych', a 1962 silkscreen that replicates a photo of Marilyn Monroe over and over with image variations, and the work is lauded for strongly showing the "multiplicity of meanings" in the actress' life and legacy.〔 The book additionally cites Eleanor Antin's conceptual art project '100 Boots'. Paglia praises the work, writing that "boots, like their creator, are outsiders, eternal migrants questing for knowledge and experience."〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Glittering Images」の詳細全文を読む スポンサード リンク
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